The Social Network
Oct. 8th, 2010 02:10 pmThe Social Network is not only the best (new) movie I've seen in a theater this year, it's also David Fincher's best film1. The script by Aaron Sorkin is- well, it's Sorkin on form; the cast are uniformly excellent (Jesse Eisenberg is scarily brilliant as Zuckerberg); it's a brilliant examination of the ways in which titanic ambition and juvenile pettiness can sometimes be linked (Zuckerberg begins the first iteration of Facebook as revenge against a girl who broke up with him; it goes on, of course, to be worth billions of dollars). Strongly recommend.
1Yes, this is a qualifying footnote that concerns Fight Club. I thought that the first part of that movie was extremely pointed social satire: guys actually do things like get into fistfights to prove their manhood (far more often since the book and movie came out, of course). Later on, though, it turns into something of a bait-and-switch: having made some rather provocative statements about how people today (read: audience members) are living their lives, it then veers off into anarchy-related fantasies- and becomes a whole lot less relevant (one hopes) to our lives in the process. (I'm not going to go into the climactic plot twist/revelation, save to note that Fincher has always had a problem with endings- The Game leaps to mind- although Sorkin gives him a strong ending here.)
1Yes, this is a qualifying footnote that concerns Fight Club. I thought that the first part of that movie was extremely pointed social satire: guys actually do things like get into fistfights to prove their manhood (far more often since the book and movie came out, of course). Later on, though, it turns into something of a bait-and-switch: having made some rather provocative statements about how people today (read: audience members) are living their lives, it then veers off into anarchy-related fantasies- and becomes a whole lot less relevant (one hopes) to our lives in the process. (I'm not going to go into the climactic plot twist/revelation, save to note that Fincher has always had a problem with endings- The Game leaps to mind- although Sorkin gives him a strong ending here.)